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Last night, I happened to flip by the O'Reilly Factor (I'm not a regular viewer) as he was covering Entertainment Weekly magazine's coverage of "The Passion." O'Reilly introduced the segment with:
Impressive. EW will schmooze with anyone. You know a magazine truly stands behind their work when they won't get on the air and defend it. But how many reporters, honestly, want to take the kind of attention they enjoy dishing out? Instead, he was only able to get Lisa Bernhard, Fox's own entertainment correspondant, who'd been an assistant editor for a number of entertainment magazines. After some opening banter, they got down to brass tacks:
Wait, wait, Lisa. EW portrays Gibson as having gone "on the attack", and little tiny questions like whether he was actually responding to being called a racist by one of the nation's most popular newspapers are "totally irrelevant" to that? Again, she's not refuting the charge of distortion. She's admitting it, and saying it's entirely justified...
At this point, my jaw is hanging on the floor. She's admitting Gibson will be treated unfairly, saying "Of course" to that! When O'Reilly asks why, invoking a comparison between Scorcese and Gibson, she goes on to again justify what she has just admitted was unfair treatment...
I'm not kidding, the prejudice dripping from Bernhart's lips was simply shocking. Her normally pleasant face contorts over and over into a sneer, and there's an obvious haughtiness in her tone. She's so clearly angry that her lips are quivering and making little unspoken syllables whenever she's not talking. This is the entertainment reporter for a supposedly "right-wing biased" news outlet? Oh please. She's got a clear agenda and set of prejudices which she admits will justify journalistic distortions. (And they're far from being "right-wing".) She's actually saying Mel Gibson can be -- not merely questioned, but abused -- because they thought he was this mainstream movie star, with a drug habit, just like everyone else, and suddenly the guy's 'got religion' and wants to do a movie on Jesus. "He snuck up on the media!" (In other words, they never would have let him become popular if they'd known he would eventually become a serious Christian.) And Gibson has an agenda? Of course. So does every filmmaker! (Not to mention reporter, apparently.) Scorcese had an agenda. Robbins and Sarandon are rather well-known for their agendas. And let's not forget the vast scientology crowd: Tom Cruise, Nicole Kidman (formerly), Kirstie Alley, Travolta, etc, etc, etc. Even if it's just making money, every filmmaker has an agenda. So it's clearly not that Gibson has an agenda per se -- or all these other people would get flack -- but it's obviously the specific agenda which is the problem. Which justifies, according to Bernhart's arguments, abuse. Look, I'm not shocked there's controversy. As Bernhart suggests, we should (sadly?) expect the story of Jesus to be controversial today, especially when it's told along traditional lines. Quite true! But what's shocking is that we have this representative from the press in front of us, who wasn't even involved in another publication's distortions, yet who is also justifying telling less than half the story, and making allegations which are clearly untrue because she doesn't like his faith! As if any disagreement could justify such a blatant lapse of journalistic integrity. But clearly Bernhart sees his faith which as being the issue, plain and simple. She invokes it time and again: "Gibson has come out!" "he's a traditionalist!" "he snuck up on us!" "he built a church!" "this is his message!" In contrast to Scorcese's novel-based script, "he's using scriptures" and "select parts of the New Testament". (As if we could make a movie containing all of it.) And clearly Gibson's faith is causus belli to chuck away the rulebook of journalistic ethics. In other words, this is a war, plain and simple. No holds barred. He built a church! In Malibu! as regards the crucifixation film: Dear Editor, Within days of its release, Mel Gibson’s bloody bible epic has the theo-political world as divided as the Red Sea. While Jewish detractors object to its perceived anti-Semitic tone, Christian evangelicals gush about its utility as a tool for conversion of disbelievers. The secular world is as apprehensive about its unrelenting violence as it is about its possible exploitation as neo-Nazi propaganda. What most agree, however, is that its graphic depiction of crucifixion is historically accurate and cinematically stunning.
My hope is that the man behind the curtain will eventually reveal that he produced ‘The Passion’ for the purpose of throwing the modern tragedy of wrongful execution into stark relief. Public sensitivities have replaced the brutal theatrics of first century crucifixion processions with the more genteel gas chamber and poison syringe, but two inescapable elements of this film traverse the millennia intact: occasional innocence of the condemned, and the ethically flawed legal systems responsible for administering that ultimate injustice.
The fact of their savior’s innocence is largely lost on evangelicals who see his execution as a sort of messianic manifest destiny. And many of them are not yet willing to recognize as immoral the same unjust treatment of modern mortals. Christians and Jews alike could easily find a ‘Parable of the Innocents’ within the context of this otherwise numbing film. This interminably violent Hollywood movie could actually further the interests of justice, if only its detractors would recognize this redeeming value, and its advocates take to heart its ethical implications for our time. Best wishes, Posted by: grindle beeswax on March 28, 2004 03:49 PM Add your two cents...
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you know the gloves are off when they go to mels 80 something father who is off the charts loony and interview him with the intent of tarring and discrediting mel with the bizzare rantings of an old man.
its disgusting.
Posted by: rumcrook on February 21, 2004 11:34 PM